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Eduardo Galeano (1940)

Uruguayan essayist, journalist and historian. Galeano's best-known works include "Memoria del fuego" (1982-1986, "Memory of Fire") and "Las venas abiertas de América Latina" (1971, "The Open Veins of Latin America"), which have been translated into some 20 languages. Galeano defies easy categorization as an author. His works transcend orthodox genres, and combine documentary, fiction, journalism, political analysis, and history. The author himself has denied that he is a historian: "I'm a writer obsessed with remembering, with remembering the past of America above all and above all that of Latin America, intimate land condemned to amnesia."
Eduardo Galeano was born in Montevideo into a middle-class Catholic family of Welsh, German, Spanish and Italian ancestry. He was educated in Uruguay until the age of 16. "I never learned in school," he once said. "I didn't like it."
At the age of twenty Galeano started his career as a journalist. He was the editor-in-chief of Marcha, an influential weekly journal, which had such contributors as Mario Vargas Llosa, Mario Benedetti, Manuel Maldonado Denis and Roberto Fernández Retamar. For two years he edited the daily Épocha and worked as editor-in-chief of the University Press (1965-1973). As a result of the military coup of 1973, he was imprisoned and then forced to leave Uruguay. By that time he had published a novel and several books on politics and culture. In Argentina he founded and edited a cultural magazine, Crisis.
"The Open Veins of Latin America" made Galeano one of the most widely read Latin American writers. It was also the first book by the author to be translated into English. In the well-documented series of essays the central theme was the exploitation of natural resources of Latin America since the arrival of European powers at the end of the 15th century. The Open Veins of Latin America was written "in the style of a novel about love or about pirates", as the author himself said.
In 1975 Galeano received the prestigious Casa de las Américas prize for his novel "La cancion de nosotros". After the military coup of 1976 in Argentina his name was added to the lists of those condemned by the death squads and he moved to Spain. Galeano lived mainly on the Catalan coast and started to write his masterpiece, Memory of Fire. In 1978 Galeano received again Casa de las Américas prize, this time for largely autobiographical work, Días y noches de amor y de guerra.
At the beginning of 1985 Galeano returned to Montevideo.
The text of the trilogy consists of short chapters, episodes which portray the colonial history of the continent. "Each fragment of this huge mosaic is based on a solid documentary foundation.


a gh ema da ricuperar al significat a dle parole, questo ‘l è ‘l laor da chi scrif, iutar a polir al vocabolari
al svilup a l’è an vias in dua a gh è pusè naufraghi che marinai
in dla so vita l’òm al pœl canbiar moier, partì o religion: Ma sens’altar an al pœl mia canbiar la squadra ch’agh pias püsè
l’economia dal mond l’è la pusè organisada espresion d’avans da galera. I soget internasionai chi controla al valor di besi, i marcà e i prestit i è di lasaron mondiai contra i paes pusè povret e contra i povret da tut al mond in manera talment cancara da far vargognaras al pusè espert sasìn da stò mond
l’utopìa l’è al’orisont. S’agh vaghi davsin do pas le la s’alontana da do pas. S’an faghi dies,l’orisont al s’alontana da dies. Posi caminar fin a stufaram ma gh riarò mai. Alora a cosa servisla l’utopìa? A caminar
sema quel ch’a fema par canbiar quel ch’a sema